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  PRAISE FOR THE CALLIOPE REAPER-JONES NOVELS

  The Golden Age of Death

  “I could not have been more delighted with where this series has gone. Benson knows how to tell a good story, and she ratchets up the tension with every page.”

  —Seanan McGuire, New York Times bestselling author

  How to Be Death

  “You may know Amber Benson from her stint on Buffy as Tara, but her talents are multifaceted, making this series a favorite.”

  —RT Book Reviews

  “How to Be Death will make you an instant fan of Amber Benson . . . Not only will this novel amuse you, but Benson has crafted a well-written page-turner mystery. Full of colorful characters and hilarious dialogue, this is a series supernatural fans will devour.”

  —Fresh Fiction

  “Reads like a clever and complex whodunit . . . Urban fantasy fans should not miss this lighthearted, exciting series.”

  —SciFiChick.com

  “A true suspenseful mystery, How to Be Death is also riddled with some seriously comical moments . . . This is a fantastic book and a wonderful addition to the Calliope Reaper-Jones series. 5 stars!”

  —Pure Textuality

  Serpent’s Storm

  “Calliope Reaper-Jones is hysterical. One can’t help but root for her to get the man, save the world, and get her heart’s desire in the process. This character-driven addition to the Reaper-Jones series is truly fantastic.”

  —RT Book Reviews

  “Amber Benson shines through her novel and entices readers. Calliope’s personality is genuine, and readers will definitely love her.”

  —Nocturne Romance Reads

  “Fast-paced but filled with humor and pathos. A powerful, action-packed thriller.”

  —Genre Go Round Reviews

  “Benson has brought the series to a new, impressive height—dark, startling, and [with] plenty of shocking surprises. Urban fantasy fans should not miss this fantastic series.”

  —SciFiChick.com

  Cat’s Claw

  “Callie bounces from twist to twist as she explores Benson’s richly imagined world, where multiple mythologies blend and the Afterlife is run as a corporation.”

  —Publishers Weekly

  “An entertaining, frenzied fantasy frolic that will have the audience laughing at the chick-lit voice of the heroine, who is willing to go to Heaven on a hellish cause.”

  —Genre Go Round Reviews

  “Benson is back with a second helping of her refreshing take on death and Purgatory . . . Callie’s offbeat humor and viewpoint guarantee a madcap romp.”

  —RT Book Reviews

  Death’s Daughter

  “Amber Benson does an excellent job of creating strong characters, as well as educating the reader on some great mythology history . . . A fast-paced and very entertaining story.”

  —Sacramento Book Review

  “An urban fantasy series featuring a heroine whose macabre humor fits perfectly with her circumstances. Sure to appeal to fans of Tanya Huff’s Vicki Nelson series and Charles de Lint’s urban fantasies.”

  —Library Journal

  “A beguiling blend of fantasy and horror . . . Calliope emerges as an authentically original creation . . . The humorous tone never gets in the way of the imaginative weirdness of the supernatural events.”

  —Locus

  “In Death’s Daughter, Benson provides a fun romp that defines the rules of an exciting new universe you’ll be chomping at the bit to dive back into time and again. There’s action; there’s intrigue, redemption, an adorable hell puppy, and even a hot guy or two. What more could you ask for?”

  —Buffyfest

  “Amber Benson writes an amusing, action-packed, chick-lit urban fantasy loaded with more twists and curves than a twist-a-whirl . . . Filled with humor and wit, this is a refreshing, original thriller as double, triple, and nth crossings are the norm.”

  —Genre Go Round Reviews

  “With a creative story line as proof, Ms. Benson adds writing to her ever-growing list of talents. Set within an intriguing paranormal world, Death’s Daughter unfolds a seductive tale of power and deception. A great start to a series that will be easy for readers to get hooked on.”

  —Darque Reviews

  “Opens the door on an intriguing, fully thought-out universe, with a likable main character and the potential for mayhem around every corner. It’s a lot of fun.”

  —Fangoria

  “A lively and funny story packed with nonstop action . . . Benson’s flair for combining mythology and pop culture to create laugh-out-loud characters and incidents strongly reminded me of Esther Friesner’s Temping Fate.”

  —The Green Man Review

  “Callie is sarcastic, smart-mouthed, and overwhelmed. I liked her a lot! I found this to be an amusing book from start to finish. It was refreshing to have a lighthearted but still-suspenseful paranormal come on the scene. The mythology and settings were unique and creepy (my favorite) . . . Callie’s voice was spot-on for a twenty-four-year-old assistant living in New York who is suddenly dropped into the middle of Hell. I have a feeling this is the start of a series, so I will be eagerly awaiting more adventures of Callie, Clio, and Runt the hellhound.”

  —Night Owl Reviews

  “A clever and well-told story . . . It’s also a step outside the current paranormal-fantasy rut but with enough elements in common to please fans of that form as well.”

  —Critical Mass

  “Amber Benson has created a brash, sassy heroine oozing attitude as she deals with family, business, an angry goddess, zombie armies, and betrayal in this imaginative blend of assorted mythologies. The snappy dialogue keeps pace with the quick pace while providing a fun touch of self-deprecating humor. It should be interesting to see where Benson takes Callie next.”

  —Monsters and Critics

  Ace Books by Amber Benson

  DEATH’S DAUGHTER

  CAT’S CLAW

  SERPENT’S STORM

  HOW TO BE DEATH

  THE GOLDEN AGE OF DEATH

  THE WITCHES OF ECHO PARK

  THE BERKLEY PUBLISHING GROUP

  Published by the Penguin Group

  Penguin Group (USA) LLC

  375 Hudson Street, New York, New York 10014

  USA • Canada • UK • Ireland • Australia • New Zealand • India • South Africa • China

  penguin.com

  A Penguin Random House Company

  This book is an original publication of The Berkley Publishing Group.

  Copyright © 2015 by Benson Entertainment, Inc.

  Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

  Ace Books are published by The Berkley Publishing Group.

  ACE and the “A” design are trademarks of Penguin Group (USA) LLC.

  eBook ISBN 978-1-101-63043-3

  Library of Congress Cataloging-in-Publication Data

  Benson, Amber, 1977–

  The witches of Echo Park / Amber Benson.

  pages ; cm. — (The witches of Echo Park ; 1)

  ISBN 978-0-425-26867-4 (softcover)

  1. Witches—Fiction. 2. Magic—Fiction. I. Title.

  PS3602.E685W59 2015

  813'.6—dc23
/>
  2014035728

  PUBLISHING HISTORY

  Ace trade paperback edition / January 2015

  Cover art by Larry Rostant.

  Cover design by Diana Kolsky.

  This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

  Version_1

  To all the special women in my life—I treasure your friendships. They get me through my days and inspire me to be a better lady.

  Acknowledgments

  The witches were born from a sangria-filled lunch with my amazing editor, Ginjer Buchanan. We talked for hours about what my next book would be (I had lots of ideas), but when I mentioned wanting to write about the amazing friendships I had with the women in my life—friendships that were strong and beautiful and enriching—well, Ginjer’s eyes lit up and she suggested witches!

  A shout-out to the women whose friendships helped to inspire the witches: Liz, Mo, Sarah, Dani, Danielle—Long live AHLA!

  Thank you to my debonair agent, Howard Morhaim, who has class in spades and likes to check in and make sure I’m still alive out in Los Angeles. Thanks always to Christopher Golden and the rest of the Goldens—my East Coast family. To everyone at Ace/Roc—you guys have been so wonderful and supportive of all my endeavors . . . Thank you, thank you, thank you!

  Another shout-out to the Shamers. I wrote this book under your watchful eye. You guys are the best. And to the Heroine Club (“Kick-ass female protagonists, not drugs,” as Nick’s wife says)—you guys read the pages and encouraged me to keep on going even when I wanted to pull my hair out. A special singling out to Sarah Kuhn and Jeff Chen—you guys are the best. Sarah, I must’ve sent you a thousand freaked-out texts over the course of the witches. Thank you for reading the pages a bazillion times and for talking me off the ledge more often than I care to remember. Also, love to Angela and Tim; you guys inspire me every day.

  I want to thank my dad, who is hard at work on his own book, and my mom, who is also hard at work on a manuscript. I guess I come by my love of words honestly. Thanks to my aunt Beverly, who feeds me home-cooked meals when I am in the throes of writing and not taking care of myself properly. To my sister, Danielle, who inspired the character Lyse—I love you! And to Breehn, thank you.

  And, finally, thanks to the mysterious Echo Park, where all the magic began.

  Contents

  Praise for the Calliope Reaper-Jones Novels

  Ace Books by Amber Benson

  Title Page

  Copyright

  Dedication

  Acknowledgments

  Eleanora

  Lyse

  Devandra

  Lyse

  Lyse

  Eleanora

  Lyse

  Arrabelle

  Lizbeth

  Lyse

  Lyse

  Lyse

  Eleanora

  Lyse

  Daniela

  Eleanora

  Lyse

  Eleanora

  Lyse

  Arrabelle

  Lizbeth

  Devandra

  Daniela

  Lyse

  Eleanora

  “It’s in the blood.”

  Hessika’s voice was low and gravelly as she spoke, her drawn-in Cupid’s-bow lips overenunciating each word.

  There was a loud snap as the green pod in Eleanora’s hands split into two, three glistening peas falling into the half-filled orange ceramic bowl cradled in her lap. She sat in a weathered rattan rocking chair, her bare legs and arms sticky with the autumnal California heat, the dark blue chambray shirt and jean shorts she’d put on that morning plastered against her pale, freckled skin. She stopped rocking at those words—It’s in the blood—and turned to look at the woman who was twelve years her elder.

  Hessika sat perched on a rocking chair the twin of Eleanora’s, but it looked small and fragile beneath her massive frame. In other, less forgiving times, she would’ve been drummed out of her home and marginalized to the fringes of society for the way she looked, but now she was just a curiosity, an object of intense fascination for the neighborhood children who liked to loiter at the bottom of her lawn and stare at the giantess as she worked in the garden that was her sanctuary.

  Standing six feet, eight inches tall in her stocking feet, Hessika was a female oddity of extreme contradictions: She had the posture and grace of a prima ballerina, but one who thought nothing of squatting barefoot in the dirt to pull the hardiest of weeds from her flower beds. Her garden was as close to a shrine or temple as their kind believed in, and Hessika was its rough master, forcing her enormous hands, joints stiff and swollen from arthritis, to do her bidding there. She alleviated the worst of her pain with a homemade stinging nettle tonic she took twice daily—a recipe she swore by but had never written down. Something Eleanora and the others had only realized upon her death.

  The first moment Eleanora had laid eyes on the master of the Echo Park coven, she’d known Hessika was a different creature from any other she’d encountered before.

  It was an indefinable thing, this differentness, but Eleanora believed it was due to the impenetrable nature of Hessika’s personality. No one would disagree that she was as immovable as a rock when attacked, utterly impervious to the whims or whines or worries of those she did not respect. A true force to be reckoned with, she could bend people to her will with the calming weight of her words and actions but did not manipulate her reality just for the sake of manipulation. As master of their coven, she was also adept at rooting her blood sisters to the earthly plane, reminding them of their obligations to the world they inhabited.

  Upon her arrival in Southern California, it was Hessika who’d embraced her like an older sister, hugging Eleanora’s thin frame to her massive bosom, so that, embarrassed, Eleanora had blushed scarlet. Then, her body and mind reeling from days of sitting up to sleep in coach on the train from Boston, she’d gone limp in the strange woman’s arms and cried like a baby while the whole of Union Station watched.

  Instead of chiding the younger woman for her weakness, Hessika had spirited Eleanora back to the bungalow on Curran Street overlooking Elysian Park, settling her down in the tiny, womblike second bedroom and petting the girl’s long brown hair until her tears had dried up. Never once did she question Eleanora about the trip, or the heartbreak she’d left behind in Duxbury when she’d hitched a ride into Boston and never looked back—and, for her silent kindness, Eleanora had loved Hessika with a girlish awe that bordered on hero worship.

  To that order, it seemed only apropos that Hessika would be the one to foretell her fate.

  “The blood?” Eleanora asked, leaning forward in her seat so the rattan bit into the backs of her legs, the bowl suddenly becoming heavier against the tops of her thighs.

  “I dreamed of blood,” Hessika said, an almost imperceptible lisp giving her Southern-inflected sibilants a soft, misshapen sound.

  Hessika continued to work as she spoke, the cracking and voiding of shells into her bowl a staccato counterpoint to the rhythmic rocking of her chair, its runners seesawing along the thick slats of the wooden porch like a ship pitching back and forth on uncertain seas.

  Hessika was a Dream Keeper. It was a gift she traced back to the Old Testament stories of Joseph.

  Raised in a Primitive Baptist household in Lower Alabama, where the Old Testament had been her parents’ rod and staff from which they did not deviate, Hessika didn’t subscribe to the tenets of Christianity—though she was not uninterested in its mythologies and practices. The Primitive Baptist predeterminism of her childhood was not unlike her own self-discovered belief that human fate was a tapestry woven long
before a person was born: If we were lucky, we might catch a glimpse of the pattern, but we could never change it.

  When Hessika spoke of her dreams or interpreted the dreams of others, it was with the authority of someone who was touched by something greater than human knowledge—and those who were targeted in her dream readings quickly learned to listen carefully to her interpolations or else face their futures blind.

  It’s in the blood.

  Hessika’s words nibbled at Eleanora’s brain, making her heart beat faster as she waited for her friend to say more—but there was only the steady onslaught of peas dropping into a bowl and the creaking of Hessika’s rocking chair biting into the old wooden porch.

  Day had long faded into inky twilight, the gloaming having come and gone on tiptoe, so Eleanora only now realized the world was dipped in full-scale night. Like looking into the face of a loved one day after day and missing the imperceptible changes as age crept across their features—the slackening of jowls, the pulling at the labial folds around their mouth, the creping of skin beneath their eyes—Eleanora had missed the shifting of Time.

  She blamed Hessika. Time was pliant on her friend’s front porch, stretching out like warm taffy in the hot summer sun. Here, seconds hung like minutes, minutes like hours, hours like days until Time ceased to have any meaning at all. But Hessika’s portent—It’s in the blood—had acted as a catalyst, speeding things up and kicking Eleanora back into the present. She blinked, finding herself aware of her surroundings again, the shrill hum of the nighttime insects like a warm blanket enfolding everything around her.

  Then, without warning, Hessika stopped rocking.

  With the silence came the irrational fear that her life, barely in its prime, was about to be cut short. Eleanora had turned twenty-four the previous spring and she’d done almost nothing with herself. She’d only been with one man—someone she did not dare to ever think of again—the event traumatizing at best; she’d never traveled to Europe or learned to play the piano . . . and in this age of free love and drugs, she’d never even smoked marijuana. There was so much she wanted to do, so much she wanted to see and experience—she wasn’t ready to shuffle off this mortal coil just yet.